Below is a list of lectures and a brief synopsis of each. You can download a Printable Copy of the lecture programme.
The story of the Annunciation, the Angel Gabriel's appearance to the Virgin Mary as told in St Luke's gospel, has inspired some of the most beautiful images in Western Art. These include Simone Martini's altarpiece for Siena Cathedral, now in the Uffizi Gallery and Fra Angelico's frescoes in the monastery of San Marco in Florence. The earliest depiction of the Annunciation is thought to date back to the 2nd century AD. Since then, the narrative has been reimagined by numerous artists including Van Eyck, Botticelli, Dürer and Rossetti. This lecture will take you on a journey through a range of different depictions of the Annunciation and explore the ways in which artists have captured this pivotal moment of the Christian story.
Exploring the little known history of Victorian women mountaineers and the clothes they chose to wear on the mountains of Europe. Unlikely stories of some intrepid explorers abound!
The nude is perhaps the most perennially popular of art forms. Yet beyond the ideals of beauty it might be seen to express, the nude through the history of art has reflected a wealth of other ideas and attitudes, from our changing beliefs about sexuality, the human body, medicine, psychology, freedom, taste, myth and morality. In this fresh retelling of the story of the nude, we discover how some of the most sensuous and appealing pictures in the world weren't made just for titillation but tell fascinating stories from history, providing a prism through which to glimpse everything from class and sex to money, politics and power. Featuring artists including Botticelli, Titian, Rubens, Rembrandt, Gentileschi, Goya, Lavinia Fontana, Velasquez, Courbet, Klimt, Schiele, Modigliani, Lucian Freud, Maria Lassnig, Cindy Sherman, Jenny Savile, Amalia Ullman and Bianca Nemelc.
The Sahara has inspired the artistic and cultural life of the West for millennia, and this eye-opening presentation allows us to journey there with no risk of getting lost in a sandstorm. Whether resident, foreign adventurer, or armchair traveller and artist, the deserts of North Africa are a palimpsest upon which poets, painters, filmmakers and other dreamers have been inspired by and drawn to for millennia. The Sahara proved as vital for the oracles of Ancient Greece as it has for the high priests of Hollywood, and North African landscapes have witnessed the creation of both stunning prehistoric rock art and Impressionist canvasses; inspired mythology and faith; and been a muse for every form of creative endeavour. This is a fascinating talk through time and space, war and peace, love and loss, that will never again let you see the Sahara as a blank canvas.
When you think of fairy tales, you most likely remember bedtime stories heard as a child; however, Grimm's fairy tales were not intended for children, but rather, adults. The German brothers did not actually write the stories but collected them as part of a rich folkloric tradition passed down from generation to generation. Learn about some famous, and some lesser known, tales - most of which are (unexpectedly) twisted and gruesome.
Fine art has provided advertisers and their agencies with a great deal of material to use in their creative campaigns. Tony describes some of the processes by which these advertisements have been created and why the works of Leonardo da Vinci, Raphael and Michelangelo have been a particularly rich source. From the Renaissance through to the present day fine art continues to provide opportunities to enhance brand imagery with admiration, humour, satire and irony. In an entertaining and informative lecture Tony uses a wide range of visuals and video to show examples of the original works, the creative process and the (not always entirely successful) advertisements that are the end result.
In this lecture, we look at the work of two female sculptors who made Cornwall their home for much of their lives. Barbara Hepworth (1903-1975) who was awarded a CBE in 1958 and was made a Dame in 1965. The other was Barbara Tribe (1913-2000). She was a talented Australian figurative sculptor and became a member of the Royal Society of Portrait Sculptors in 1953. She taught at Penzance School of Art from 1948-1988. She returned to Australia on many visits in later life. We look at the similarities and differences in the work of these two pioneering female artists.
In 1565, Pieter Bruegel the Elder was commissioned to create a series of paintings for a dining room in Antwerp. The images, charting the course of a year, changed the way we view the world through art. Landscape had previously been a decorative backdrop to dramas both sacred and profane. But in Bruegel's hands the landscape and our interaction with it became the focus. Looking at paintings such as The Return of the Herd, Hunters in the Snow and The Gloomy Day, this lecture explored how Bruegel pioneered a whole new way of thinking about the environment and our individual places within a shifting cosmos.
The antiques market has changed dramatically and now pieces that were made during the 1970s can fetch many times more than a piece made in the 1770s. Why has the teak sideboard you threw out become so desirable? Who is this Eames guy? Drawing a blank with Timo Sarpaneva? Who's buying what and what are they doing with it? This practical and inspirational lecture looked at furniture, ceramics, glass, lighting and metalware, identified key designs and designers, and the examined the revolutionary design movements they began.
Chess has been depicted in art from the Middle Ages to Modernity by painters as diverse as Matisse, Singer Sargent and Max Ernst. It has also inspired works of literature by Vladimir Nabokov and film by Ingmar Bergman. But the greatest incidence of chess in art came with the work of Marcel Duchamp who declared that chess was the paradigm of art. This lecture surveyed the fascinating history of chess in art, culminating with the crucial part played by the game in the birth of Conceptual Art through its founding father, Duchamp.